Our senses are the gateways of our perception, 

and our touch is the authentic echo to the world.

This is my way of working, 

from the outside to the inside and vice versa.

This is how I find my ideas and create a continuous concept,

how I research the background, gather material and let my morphological field grow,

attentive to the state of unintentionality, the moment for what happens at the edge of the eye. 

While I let myself be guided by my hands.

Photography and ceramics are my most important fields of expression.

They complement each other, seeing and feeling, the attention, the moment.

I need tactile surfaces in both: rough like earth and bark, porous like tuff and soft like skin.

I am long-time trained prop designer and creative director,

with a background in textile haute couture design and visual communication

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